{"id":597,"date":"2025-01-17T15:52:52","date_gmt":"2025-01-17T14:52:52","guid":{"rendered":"https:\/\/www.restful.cz\/?p=597"},"modified":"2026-09-02T14:40:12","modified_gmt":"2026-09-02T12:40:12","slug":"apollo-and-daphne","status":"publish","type":"post","link":"https:\/\/www.restful.cz\/cs\/apollo-and-daphne\/","title":{"rendered":"Apoll\u00f3n a Dafn\u00e9"},"content":{"rendered":"

Nezn\u00e1m\u00fd autor<\/h2>\n\n\n\n
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Technika:<\/strong> olejomalba na pl\u00e1tn\u011b
Rozm\u011bry:<\/strong> 21 cm x 27 cm
Datace:<\/strong> unknown<\/p>\n\n\n\n

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Stav d\u00edla p\u0159ed restaurov\u00e1n\u00edm<\/strong><\/h2>\n\n\n\n

P\u016fvodn\u00ed jemn\u00e1 pl\u00e1t\u011bn\u00e1 podlo\u017eka obrazu byla pravd\u011bpodobn\u011b o\u0159\u00edznuta a pod\u00e9l lev\u00e9ho, horn\u00edho a prav\u00e9ho okraje p\u0159ehnuta p\u0159es nap\u00ednac\u00ed r\u00e1m. Obraz byl n\u00e1sledn\u011b podlepen na hrub\u0161\u00ed sekund\u00e1rn\u00ed pl\u00e1tno pomoc\u00ed kliho-\u0161krobov\u00e9ho lepidla. P\u016fvodn\u00ed pl\u00e1tno je konk\u00e1vn\u011b prohnut\u00e9 a vykazuje v\u00fdrazn\u00e9 deformace.<\/p>\n\n\n\n

Nap\u00ednac\u00ed r\u00e1m je zhotoven z velmi \u00fazk\u00fdch, nerovnom\u011brn\u011b sra\u017een\u00fdch li\u0161t, kter\u00e9 jsou pevn\u011b spojeny bez mezer a bez mo\u017enosti regulace nap\u011bt\u00ed pomoc\u00ed kl\u00ednk\u016f. H\u0159eb\u00edky upev\u0148uj\u00edc\u00ed pl\u00e1tno k nap\u00ednac\u00edmu r\u00e1mu jsou zkorodovan\u00e9 a z hlediska konzerv\u00e1torsk\u00e9ho o\u0161et\u0159en\u00ed nevhodn\u00e9.<\/p>\n\n\n\n

Vrstva malby vykazuje po\u0161kozen\u00ed od\u011brem a krakel\u00e1\u017e\u00ed, av\u0161ak z\u016fst\u00e1v\u00e1 celkov\u011b stabiln\u00ed. Zejm\u00e9na pod\u00e9l okraj\u016f jsou patrn\u00e9 ztr\u00e1ty malby a\u017e na pl\u00e1t\u011bnou podlo\u017eku. Na n\u011bkter\u00fdch m\u00edstech jsou patrn\u00e9 lok\u00e1ln\u00ed retu\u0161e a p\u0159emalby.<\/p>\n\n\n\n

Povrch je pokryt degradovan\u00fdmi vrstvami laku a silnou vrstvou povrchov\u00fdch ne\u010distot.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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Stav d\u00edla po restaurov\u00e1n\u00ed<\/strong><\/h2>\n\n\n\n

The treatment began with primary consolidation of the fragile paint layers and the application of a temporary facing utilizing japanese paper, allowing the painting to be safely removed from the inappropriate non-original strainer. The secondary lining canvas, which had become fragile and was no longer adequately supporting the original canvas, was gradually removed using rigid gels and controlled softening of the glue-starch adhesive.<\/p>\n\n\n\n

The painting was then relined onto a new canvas of an appropriate weave and grain, providing renewed structural support while preserving the original canvas. Following removal of the facing, the surface was carefully cleaned of accumulated dust, dirt, and ingrained grime.<\/p>\n\n\n\n

At the client\u2019s request, a new stretcher was constructed with slightly larger dimensions. This allowed the previously folded canvas margins around the edges to be incorporated into the frontal view, increasing the visible dimensions of the painting by approximately 1 cm on each side.<\/p>\n\n\n\n

The treatment was completed with localized retouching of the areas of loss and abrasion, followed by the application of a final protective varnish.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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